“Pick a word from the list below. Then write a poem titled either “A [your word]” or “The [your word]” in which you explore the meaning of the word, or some memory you have of it, as if you were writing an illustrative/alternative definition.” The list:
Cage
Ocean
Time
Cedar
Window
Sword
Flute
Of course, as a flutist, I certainly must select “flute”!
“Painting my heart out”–acrylic painting by the poet
My poem for Day 30, the final poem of poem-a-day challenge, reflects a retraction of my position on disappointment in love put forward in many poems, including “Hyena,” (day 5); “Sonnet on Love,” (day 9); “Affairs of the Heart: Claims & Warnings,” (Day 16); and “somewhere i travelled beyond good sense,” (Day 25). As I retract my position on love, instead of bitterness and disappointment, I will reverse some of the lines from these poems. Why am I doing changing my tune? I am responding to the prompt below and writing a “palinode.”
Maureen’s prompt: “write a palinode – a poem in which you retract a view or sentiment expressed in an earlier poem. For example, you might pick a poem you drafted earlier in the month and write a poem that contradicts or troubles it. This could be an interesting way to start working on a series of related poems. Alternatively, you could play around with the idea of a palinode by writing a poem in which the speaker says something like “I take it back” or otherwise abandons a prior position within the single poem.”
The prompt: “Start by reading Alberto Rios’s poem “Perfect for Any Occasion.” Now, write your own two-part poem that focuses on a food or type of meal. At some point in the poem, describe the food or meal as if it were a specific kind of person. Give the food/meal at least one line of spoken dialogue.”
In 2022, I was pleased to be featured by Maureen and Napowrimo with my poem “Kielbasa Speaks to the Vegetarian of Polish Descent,” so for this food poem, I wanted to stay with the Polish theme and Pierogis came to mind. Here’s what came out of my meditation on Pierogis! I wish I had some sizzling in butter right now!
Poem removed by Poet Voice for revision and publication elsewhere.
Before we delve into day 28, I want to say that I am so excited to have been selected as featured poet for Day 27 by Maureen, the matrixmind of the Napowrimo site for my “Yellow Celosia of Hope” poem. Thank you Maureen! So happy I have persevered and wrote the poem as well as planted my Celosia in the garden yesterday (I really did!)!
Now, I’ve written a slightly playful, fairly esoteric poem in response to day 28 prompt. I used the interesting index in my old poetry handbook from a time when books still had an extensive index, copyright 1940! For those who would like a definition of the term consonance, here’s one from the poetry foundation. I include one snippet from my index that inspired me.
This poem, of all love poems, brought back a not so fine memory. Here’s the prompt and the e.e. cummings poem is below my original day 25 poem!
Napowrimo Prompt for day 25: “Begin by reading e e cummings’ poem [somewhere i have never travelled,gladly beyond]. This is a pretty classic love poem, so well-known that it has spawned at least one silly meme. Today’s prompt challenges you to also write a love poem, one that names at least one flower, contains one parenthetical statement, and in which at least some lines break in unusual places.”
somewhere i travelled beyond good sense
that rose like the “eyes deeper than all roses”
turned to a garlic or maybe worse,
a chestnut tree in bloom (have you ever smelled it?)
somewhere i have never travelled, gladly beyond any experience, your eyes have their silence: in your most frail gesture are things which enclose me, or which i cannot touch because they are too near
your slightest look easily will unclose me though i have closed myself as fingers, you open always petal by petal myself as Spring opens (touching skillfully, mysteriously) her first rose
or if your wish be to close me, i and my life will shut very beautifully, suddenly, as when the heart of this flower imagines the snow carefully everywhere descending;
nothing which we are to perceive in this world equals the power of your intense fragility: whose texture compels me with the colour of its countries, rendering death and forever with each breathing
(i do not know what it is about you that closes and opens; only something in me understands the voice of your eyes is deeper than all roses) nobody, not even the rain, has such small hands
As Maureen Thorson, our fearless prompt leader says, “Here’s one from the archives” (Napowrimo). The planets are acting out right now! It’s Mercury Retrograde, among other unusual circuits. It could be that or maybe just day 24, a book launch on the horizon (for my book Rainbow Warrior), gardens to be planted, guests arriving, etc. etc., but whatever the reason, my muse has literally sat down and refused to budge. So, all to say, though I have been faithful to 2023 prompts until now, here’s one out of the archives, Poem-a-day, 2017. I think the prompt was doodling!
Slowly on prompt! This poem includes the point of view of the old house–in a manner of speaking.A surprise visit from a lightning rod suggests that it may become an important symbol in my rewrite.
Prompt from Napowrimo: “. . .our optional prompt for the day! Start off by reading Arvind Krishna Mehrotra’s “Lockdown Garden.” Now, try to write a poem of your own that has multiple numbered sections. Attempt to have each section be in dialogue with the others, like a song where a different person sings each verse, giving a different point of view. Set the poem in a specific place that you used to spend a lot of time in, but don’t spend time in anymore.”
Poem removed by Poet Voice for revision and publication elsewhere.
after Emily Dickinson’s “The Moon is Distant from the Sea”
The moon is sister to the sea,
with amber hands she leads the
seeming docile sea along appointed
sands. The sea never
misses a degree, obedient
to her sister moon’s eye, she
comes just so far toward the town &
just so far goes away.
Oh, yours, the amber moon &
mine, the distant sea, obedient
to the least command
the seas impose on you & me.
Hello readers! Have I stolen Emily Dickinson’s poem? No, today’s prompt requires it. You will see the prompt below as well as the original poem. In the original by Dickinson, she made the sea male and the moon female. Although both entities in nature are without a specific gender, I couldn’t imagine the sea as male, so I revised it to make the moon and sea sisters! (poetic license!) Jacquelyn
“Today’s prompt. . .is a variation on a teaching exercise that the poet Anne Boyer uses with students studying the work of Emily Dickinson. As you may know, although Dickinson is now considered one of the most original and finest poets the United States has produced, she was not recognized in her own time. One reason her poems took a while to gain a favorable reception is their slippery, dash-filled lines. Those dashes baffled her readers so much that the 1924 edition of her complete poems replaced some with commas, and did away with others completely. Today’s exercise asks you to do something similar, but in the interests of creativity, rather than ill-conceived “correction.” Find an Emily Dickinson poem – preferably one you’ve never previously read – and take out all the dashes and line breaks. Make it just one big block of prose. Now, rebreak the lines. Add words where you want. Take out some words. Make your own poem out of it!”
From the list, I chose “courage” because we all need so much of it everyday! Let’s hear it poets! Does it take courage to write a poem-a-day in April?
Prompt for Day 21 from Napowrimo: “Last but not least, here’s today’s (optional) prompt. Begin by reading Sarah Gambito’s poem “Grace.” Now, choose an abstract noun from the list . . . , and then use that as the title for a poem that contains very short lines, and at least one invented word.”
Poem removed by Poet Voice for revision and publication elsewhere.
To appease my grumbling muse, I decided to delve into a stanza pattern to write today’s poem. The “Terza Rima” (a poem with interweaving rhyming triplets or tercets) is a form that poets have used for long poems or as a stand alone short 3 line poem. One famous example of Terza Rima with three tercets and a final couplet is Shelley’s of “Ode to the West Wind.” It has a specific rhyme pattern that goes like this: 1,2,1; 2,3,2; 3,4,3;4,5,4 and the couplet uses the rhyme sound from the central line of the preceding triplet, so it goes 5, 5.
Shelley’s poem has five sections, however, and you may want to check it out here.
Below is my poem, “Found by a Future Scientist,” that responds to Napowrimo’s prompt “Have you ever heard someone wonder what future archaeologists, whether human or from alien civilization, will make of us? Today, I’d like to challenge you to answer that question in poetic form, exploring a particular object or place from the point of view of some far-off, future scientist? The object or site of study could be anything from a “World’s Best Grandpa” coffee mug to a Pizza Hut, from a Pokemon poster to a cellphone.”
Found by a Future Scientist
What thing is this,
a pendulum moving to and fro
in perfect rhythm, yet tedious?
The weighted piece—a rod of sorts—must go
ticking, tocking, ticking, tocking torture.
My science sees no purpose in this show.
Back and forth ticking I must endure
as I study this strange artifact.
In this task, my expertise looks amateur.
Yet, after hours, days, months—to be exact,
I warm to this past piece as treasured bric-a-brac.
Poet Voice 